10 november, 2026 - 20:00h
Art Auction IABSP
Exhibition
Apreciação será somente por fotos e descrições no site.
Leilão beneficente, cada obra terá um percentual das vendas destinada a IABSP - Instituto de Arquitetos do Brasil - Departamento São Paulo
Leilão de arte somente online e via telefone.
Lot 1
Alexa Reis
Trick Or Treat20 x 20 cmoil on gesobord panelsigned on back2026R$ 800
Lot 2
and I don‘t know.
I repeat.
to the mysterious mirror.
The movements of your hands.
he tells me.
that we are the cipher.
of things.
embraced our luck.
we are the other.
The other.
The other.
the other.
to Borges.".
R$ 5.200
Amanda Fahur
In The Shadow, The Sudden Reflex40 x 30 cmoil on canvassigned on back2024"I try to see myselfand I don‘t know.
I repeat.
to the mysterious mirror.
The movements of your hands.
he tells me.
that we are the cipher.
of things.
embraced our luck.
we are the other.
The other.
The other.
the other.
to Borges.".
R$ 5.200
Lot 3
Current bid
R$ 3.850
Ana Flora Bavaresco
There Is Ants All Over My Coffee Break81 x 100 cmoil on linen2026Still life about my breaks at home, I like to live with insects, I feel human.Current bid
R$ 3.850
Lot 4
R$ 7.000
Ana Hortides
Shooting Star30 x 50 x 7 cmconcrete and ceramics2026The work is part of Ana Hortides‘ research on the visual repertoires of Brazilian popular architecture. The shape of the shooting star, recurrent in ornaments of facades and platbands, is moved to the sculptural field and covered by ceramic shards, a material associated with domestic construction. By transposing these elements of scale and context, the artist brings together architecture, memory and popular imagination, transforming everyday details of the urban landscape into autonomous forms.R$ 7.000
Lot 5
R$ 4.500
Ana Luiza Domicent
Beak20 x 20 cmwatercolor on canvassigned on back2026The figuration are soles of thin-toed shoes, which emerge vertical and diffuse. The diluted pigment runs and accumulates on irregular edges, and the soles gain weight from sculptural shapes, such as standing stones. Between chance and gesture, the painting shifts an object of everyday life to the territory of matter, where what is formed, what remains and what is erased are suspended.R$ 4.500
Lot 6
R$ 6.300
Ana Matheus Abbade
Sky Under The Middle Of The Day, From The Night Series31 x 21 cmcoal and risk transfer with the nails on newspaper paper 48 g/m².2023The night series starts in 2020, during the remote residence at the pivot, and since then it has remained a recurring practice. The drawings take place between 11 pm and 3 am. This interval, when the world falls asleep and the body still watches, alters consciousness. I feel like I fall asleep, but the hand is still awake. I work with charcoal on newspaper paper. In Céu de Baixo do Meio (2023) markings, transfers and fleets merge with the image of a fire in the passage of time.R$ 6.300
Lot 7
R$ 38.000
André Komatsu
Untitled40 x 60 cmgraphite and acrylic paint on concrete and wood2020The work uses a structured modular grid composed of small pyramidal or repetitive triangular elements in gray tones creating a strong optical pattern of light and shadow. In the center of the geometric matrix, an organic deconstruction emerges made by scraping the concrete surface, interrupted by a single white triangle positioned against the direction of the grid.R$ 38.000
Lot 8
Among the most recent group exhibitions are The Square, curated by Mari Stockler, at Casa de Vidro Lina Bo Bardi (SP);
Quadrants da Miragem, curated by Shanoon Botelho, at Ateliê 31 (RJ); Surface Matter: Identity density, curated by Paulo Azeco, at Galeria Nonada (SP); Popcorn, curated by Paulo Azeco and Victor Gorgulho (SSA); Fetish: portrait, curated by Bob Wolfenson, at Galeria Nonada (RJ);
My backyard is bigger than the world, curated by Priscyla Gomes; and respect? Women from the MAC_Bahia collection, curated by Andrea May, at the Museum of Contemporary Art in Bahia, in Salvador.
R$ 25.900
Andy Villela
Aladdin Sane150 x 115 cmacrylic and oil stick on canvas2026Among its individual exhibitions stand out Nebula, curated by Clarissa Diniz, at Galeria Nonada, in Rio de Janeiro.Among the most recent group exhibitions are The Square, curated by Mari Stockler, at Casa de Vidro Lina Bo Bardi (SP);
Quadrants da Miragem, curated by Shanoon Botelho, at Ateliê 31 (RJ); Surface Matter: Identity density, curated by Paulo Azeco, at Galeria Nonada (SP); Popcorn, curated by Paulo Azeco and Victor Gorgulho (SSA); Fetish: portrait, curated by Bob Wolfenson, at Galeria Nonada (RJ);
My backyard is bigger than the world, curated by Priscyla Gomes; and respect? Women from the MAC_Bahia collection, curated by Andrea May, at the Museum of Contemporary Art in Bahia, in Salvador.
R$ 25.900
Lot 9
In the center, an embossed ear is on the image of a noodle, with tangled threads that resemble noise and excess information. Textures range from rough to soft, from matte to sleek, and call the look close. All parts are visible, but the fit remains unanswered.
R$ 5.000
Anna Bigão
Myojal Enigma46 x 47 x 2 cmmixed technique on fabricsigned on back2024Sinuous shapes fit together like a puzzle that doesn‘t close. On the edges, padded silver pads, bright red, dark fabric and translucent plastic are joined by visible seams, which draw and support the piece at the same time.In the center, an embossed ear is on the image of a noodle, with tangled threads that resemble noise and excess information. Textures range from rough to soft, from matte to sleek, and call the look close. All parts are visible, but the fit remains unanswered.
R$ 5.000
Lot 10
I‘m interested in the density. There is a kind of concentrated time in it, a memory prior to language, a presence that resists disappearing. The stone carries the weight of the world, but also its duration. She seems to keep what she has passed without letting herself be consumed entirely by the movement. In my painting, the stone appears as a body, trace, surface and obstacle. It is what remains when the landscape changes, when the light moves, when the image threatens to dissolve. Its presence introduces a mineral slowness, another measure of time, closer to sedimentation than to the event.
Light, in turn, operates as a passage. It not only illuminates the forms, but destabilizes them. Light makes visible and at the same time returns things to indeterminacy. It‘s threshold, suspension, crack. I am interested in the light that does not simply clarify and that creates zones of appearance, as if each image was always about to retreat to the mystery. In painting, I seek this unstable vibration: the point at which matter begins to breathe, at which the surface starts to suggest depth, distance, atmosphere.
Blue crosses my production as an immersion field. I think of it as a temperature of the gaze, a quality of silence, an opening to daydreaming. Blue does not expand. He leads perception to an intimate distance, to a space where the gaze slows down and no longer seeks to immediately recognize what he sees. There is a suspension force in the blue, as if it sets a pause inside the image and invites the body to stay there longer. It expands the field of imagination because it preserves a zone of indeterminacy, a space where the sensitive continues to move.
Stone, light and blue thus form a kind of affective geography. From them, I build landscapes that do not intend to represent a specific place, but to establish a space of experience. They are landscapes that are born from the encounter between memory, matter and sensitivity; Images that transit between the lived and the dreamed, between recognition and invention. A place that forms within us when an image crosses us.
Current bid
R$ 3.500
Yasmin Siegl
Silence Time60 x 100 cmcoffee, acrylic paint and pastel chalk on canvassigned on back2026Three recurring presences structure my research: stone, light and blue. I understand these elements as silent forces that organize the painting experience. They do not appear as closed symbols, but as matters of thought, fields of tension and ways of approaching what remains, reveals or escapes.I‘m interested in the density. There is a kind of concentrated time in it, a memory prior to language, a presence that resists disappearing. The stone carries the weight of the world, but also its duration. She seems to keep what she has passed without letting herself be consumed entirely by the movement. In my painting, the stone appears as a body, trace, surface and obstacle. It is what remains when the landscape changes, when the light moves, when the image threatens to dissolve. Its presence introduces a mineral slowness, another measure of time, closer to sedimentation than to the event.
Light, in turn, operates as a passage. It not only illuminates the forms, but destabilizes them. Light makes visible and at the same time returns things to indeterminacy. It‘s threshold, suspension, crack. I am interested in the light that does not simply clarify and that creates zones of appearance, as if each image was always about to retreat to the mystery. In painting, I seek this unstable vibration: the point at which matter begins to breathe, at which the surface starts to suggest depth, distance, atmosphere.
Blue crosses my production as an immersion field. I think of it as a temperature of the gaze, a quality of silence, an opening to daydreaming. Blue does not expand. He leads perception to an intimate distance, to a space where the gaze slows down and no longer seeks to immediately recognize what he sees. There is a suspension force in the blue, as if it sets a pause inside the image and invites the body to stay there longer. It expands the field of imagination because it preserves a zone of indeterminacy, a space where the sensitive continues to move.
Stone, light and blue thus form a kind of affective geography. From them, I build landscapes that do not intend to represent a specific place, but to establish a space of experience. They are landscapes that are born from the encounter between memory, matter and sensitivity; Images that transit between the lived and the dreamed, between recognition and invention. A place that forms within us when an image crosses us.
Current bid
R$ 3.500
Lot 11
The title Veredas evokes paths and possibilities, bringing the work closer to the poetic universe of Guimarães Rosa. The apparently static stone becomes a metaphor for a continuous flow and the possibility of new paths.
Current bid
R$ 40.500
Artur Lescher
Paths66 x 24 x 4 cmgranite kilimanjaro (pa 1)2026Produced in Kilimanjaro stone, the work translates into matter the idea of a river and its flow. Its shapes refer to the movement of water and symbolize pathway, connection and transformation.The title Veredas evokes paths and possibilities, bringing the work closer to the poetic universe of Guimarães Rosa. The apparently static stone becomes a metaphor for a continuous flow and the possibility of new paths.
Current bid
R$ 40.500
Lot 12
Like the artist, who paints practically the same scene every day, the figure of the bather exists in a narrative that does not conclude. He is always by the sea with a body that seems to be moving. With unusual poses, it is not clear what action he is acting, although he is certainly not contemplative. The narrative becomes a day that is always repeated, a gesture that is never completely completed or revealed. One day after another, every day, the same thing.
The bather brings a figure that insists on existing, performing his own wear and tear. That survives, not by heroism, but by the banal obstinacy of existence. The repetition of scenarios, bodies, gestures and actions does not suggest transformation, but a collapse of time, desire and meaning.
R$ 4.900
Augusto Portella
Untitled30 x 30 cmoil on linensigned on back2025A maritime landscape painting with the figure of a person by the sea. It is part of the series "The bather", with more than 100 paintings produced. It starts from the premise that they must be exposed in large sets, to create an idea of the repetition and saturation of the theme. From a single photo of the artist, this image was worked with the help of AI software, to produce hundreds of variations of the same scene. The images generated are later painted in fine linens purchased at popular fabric stores in downtown Rio de Janeiro. When painting on very fine linen and without prior preparation for painting, the paint leaks to the back of the fabric. The image that is formed still accounts for the original composition, but becomes a combination of spots that make the painting more faded and fragmented. The verses are shown later, hiding the "original" image and revealing what leaked through the fabric.Like the artist, who paints practically the same scene every day, the figure of the bather exists in a narrative that does not conclude. He is always by the sea with a body that seems to be moving. With unusual poses, it is not clear what action he is acting, although he is certainly not contemplative. The narrative becomes a day that is always repeated, a gesture that is never completely completed or revealed. One day after another, every day, the same thing.
The bather brings a figure that insists on existing, performing his own wear and tear. That survives, not by heroism, but by the banal obstinacy of existence. The repetition of scenarios, bodies, gestures and actions does not suggest transformation, but a collapse of time, desire and meaning.
R$ 4.900
Lot 13
R$ 3.500
Bruna Beatriz
Island24 x 22 x 2 cmceramicssigned on back2025I have been fabled trans-specific existences from fantastic ecologies. This work arises from observation and drawing practices in the National Children‘s Park, in Santo André. I am interested here, to translate the watercolor into other supports and means, without losing intrinsic qualities to it, even if the process of painting with ceramic enamels is, too, something that is revealed only after the burning. So I, the clay, the paint and the fire, worked together with the park. Finally, these surfaces are for me like skins and/or coatings from other times and beings.R$ 3.500
Lot 14
R$ 3.150
Bruno Alves
Lasting23 x 37 cmacrylic and pencil on cardboard2026The work starts from loom patterns, articulating the tool, the patterns and the gesture. From this, he develops a research of colors, graphic construction and materiality.R$ 3.150
Lot 15
R$ 15.750
Bruno Baptistelli
Untitled - Series T40 x 40 cmacrylic and charcoal on canvassigned on back2025In this series, I modulate the constituent elements of the letter T, investigating its formal and structural powers, also as an allusion to a recent change in my surname.R$ 15.750
Lot 16
Bruno Rios
Circus30 x 24 cmoil, beeswax and ceramic on linensigned on back2024R$ 1.000
Lot 17
R$ 14.000
C.l Salvaro
Another Plot35 x 64 x 8 cmconcretesigned on back2016This piece results from the negative of a cutting bench used in a civil construction work. When coming into contact with the concrete, the surface of this provisional element left its marks and irregularities, which were incorporated into the piece as a relief. Thus, the work transforms the trace of a constructive operation on an autonomous surface, in which cuts, lines, crossings and overlaps form a kind of design. The resulting configuration refers to the graphic logic of a city seen from above. What was a support and work structure comes to exist as a record of an action, preserving in the concrete the marks of an operation that normally disappears throughout the construction.R$ 14.000
Lot 18
Fragments of a mythical, inaugural time, when the words were still engaged to things... Minerals, the elements, water, earth, fire, air, everything is a permanent transformation.
R$ 30.000
Cabelo
Oracle (ray)42 x 55 cmacrylic on canvassigned on back2024The oracles that are revealed here, appear together with these landscapes, these beings, these visions; come from an original era.Fragments of a mythical, inaugural time, when the words were still engaged to things... Minerals, the elements, water, earth, fire, air, everything is a permanent transformation.
R$ 30.000
Lot 19
R$ 1.960
Cavi Brandão
Tangled Series Click30 x 40 cmoil and wax on canvassigned on back2026Estalo, from the EnTangled series, explores tensions that cross the relationship between body and technology. The bare wires refer to the possibility of shock, bringing desire, risk and sensitivity closer together. From these connections, wires and electronic devices integrate a field of contamination in which the organic and the synthetic are confused. The borders between these dimensions become unstable, opening space to imagine other possibilities of existence and futures that escape the usual norms and ways of understanding bodies and their relations with the world in contemporary times.R$ 1.960
Lot 20
Upper half: A large whitish shape is visible on a dark gray-gray blue background. Within this light mass it is possible to see the small diffuse spots.
Lower half: a grayish brown synthetic linen fabric rectangle with a visible texture and light fit.
I see maybe the moon above, maybe a cocoon of a mysterious animal inside, maybe an eye, maybe an ancient celestial map. I see celestial specks above, see below gray earth.
R$ 6.000
Céu Isatto
Fly Me To The Moon/your Body Lies On Earth115 x 90 cmdry pastel over raw cotton, sewing and synthetic synthetic linen2026Fabric with colored, circular and sparsely sparsely sparsely pastel stains - in shades of green, blue, brown and gray - hangs on a white wall and appears to be divided into two halves. A horizontal line with blue apparent stitching unites and separates these two parts.Upper half: A large whitish shape is visible on a dark gray-gray blue background. Within this light mass it is possible to see the small diffuse spots.
Lower half: a grayish brown synthetic linen fabric rectangle with a visible texture and light fit.
I see maybe the moon above, maybe a cocoon of a mysterious animal inside, maybe an eye, maybe an ancient celestial map. I see celestial specks above, see below gray earth.
R$ 6.000
Lot 21
Current bid
R$ 2.000
Daniel Galvão Bennett
Untitled30 x 30 cmoil on canvas2025This work refers to the carnival universe of the 1920s, creating dialogues in the formats of arabesques and small architectural relationships.Current bid
R$ 2.000
Lot 22
R$ 7.000
Daniel Mello
All In40 x 30 cmoil stick on stapled canvassigned on back2025Work created with two screens stapled on the side and painted with oil stick.R$ 7.000
Lot 23
R$ 6.300
David Almeida
Untitled25 x 30 cmmonotype on paper hahnemühle 300gsigned on back2021This work is part of a continuous series of paper paintings that I have been doing since 2021. They are monotypes of oil paintings on bronze plate and passed to paper in the press engraving press. This series is fundamental for the course of the work because it highlights the protagonism of the gesture in the work as a whole.R$ 6.300
Lot 24
In the works of the series, the artist uses elements that somehow relate to the floor, such as the tacos in this case, or other pieces of floor, earth and stones, in an intention to write starting from the ground, give a voice and listen to what the floor tells us.
In the process of carrying out this work, tacos found in a dumpster in the city of São Paulo were sanded and the letters of the alphabet were carved in low relief, as if an excavation were carried out for each of these meetings.
R$ 12.000
Deco Adjiman
Qwerty, Tacos64 x 70 cmwood notch2025The work is one of those that integrate the QWERTY series in which the artist reproduces, using a diversity of materials, the keyboard used in our typewriters, from typing to cell phones and computers. The name refers to the first 6 letters of the upper part of the keyboard, created in the 1870s to facilitate typing and adopted until today in much of the world.In the works of the series, the artist uses elements that somehow relate to the floor, such as the tacos in this case, or other pieces of floor, earth and stones, in an intention to write starting from the ground, give a voice and listen to what the floor tells us.
In the process of carrying out this work, tacos found in a dumpster in the city of São Paulo were sanded and the letters of the alphabet were carved in low relief, as if an excavation were carried out for each of these meetings.
R$ 12.000
Lot 25
"These are muscular dreams, action dreams, aggressive dreams. A dream that I jump, that I swim, that I run, that I jump. Frantz Fanon.
The series takes the artist‘s own body as a matrix and stamp: it is through its presence, pressure and effort that images are produced on paper.
In this process, the body is simultaneously subject and tool, surface and printing. The works articulate desire, repulsion, effort, work and freedom. To think of the dream as an escape - as a space for action and the elaboration of gestures that, during the vigil, are contained, disciplined or interrupted. What remains on paper is the trail of this encounter between body, matter and action.
R$ 7.000
Diego Crux
Untitled From The "muscle Dreams" Series42 x 30 cmchalk and lime on paper fabriano disegno nero2025Muscular Dreams Part of Frantz Fanon‘s notion of "muscle dreams": dreams of action, movement and aggression experienced by the colonized body."These are muscular dreams, action dreams, aggressive dreams. A dream that I jump, that I swim, that I run, that I jump. Frantz Fanon.
The series takes the artist‘s own body as a matrix and stamp: it is through its presence, pressure and effort that images are produced on paper.
In this process, the body is simultaneously subject and tool, surface and printing. The works articulate desire, repulsion, effort, work and freedom. To think of the dream as an escape - as a space for action and the elaboration of gestures that, during the vigil, are contained, disciplined or interrupted. What remains on paper is the trail of this encounter between body, matter and action.
R$ 7.000
Lot 26
R$ 10.000
Douglas De Souza
Rush40 x 50 cmoil on canvassigned on back2025In this realistic oil painting, kitsch aesthetics and queer culture cross under a hyper-reflective surface. The screen captures the bodywork of an automobile in a dizzying distortion, creating the illusion of liquid metal in shades of blue and silver. The highlight is the word "rush", which introduces the central dichotomy of the work: the tension between speed, danger and seduction. On the one hand, the screen evokes adrenaline and the imminent risk of automotive culture; On the other hand, it captures the febrile ecstasy, the pulse and the urgency of desire in the LGBTQIA+ nightlife.R$ 10.000
Lot 27
R$ 28.135
Erica Storer
28,135.0064 x 34 x 17 cm2026Work "Torre" by Gabriela Mureb (2024), boxed, tied and suspended.R$ 28.135
Lot 28
R$ 8.400
Estela Sokol
For Mário De Andrade (from A Series Of Studies For One Thing Supported By Another)27 x 29 x 7 cm2018For Mário de Andrade, they propose a dialogue between matter and structure. Wooden blocks supported by one another, traversed by a foam lined with multicolored geometry printed on satin, which makes reference to the cover print of an edition of Pauliceia Desvairada, plays with the sobriety of form and evoking the restless modernist spirit Brazilian.R$ 8.400
Lot 29
R$ 28.000
Eva Le Campion
Red Cloak110 x 133 cmacrylic on cotton fabricThe work presents a composition organized in vertical bands, in which ornamental patterns alternate between wavy lines, circular shapes and repetitive graphics. The predominance of red and orange tones, contrasted with golden yellow, creates a vibrant surface. The repetition of the elements establishes rhythm and movement, while the symmetrical arrangement of the bands provides visual balance. The articulation between colors, shapes and patterns shows an investigation of the expressive possibilities of ornamentation.R$ 28.000
Lot 30
R$ 10.000
Evandro Prado
Donkey Hanging120 x 90 x 4 cmoil on canvassigned on back2017Painting about the 200th anniversary of the Independence of Brazil.R$ 10.000
Lot 31
Current bid
R$ 5.600
Fábio Menino
Scissors Wheel40 x 30 cmoil paint and beeswax on canvas2026The painting of scissors is part of a series of works that Fábio Menino has been producing thinking about everyday issues, social, political and economic issues that the objects around us can carry. The artist seeks to think about the symbolic charge that the objects of our daily life can carry and also seeks to think about formal issues in relation to these objects, trying to find what these objects can talk to the very language of the painting.Current bid
R$ 5.600
Lot 32
R$ 6.000
Felipe Seixas
Untitled10 x 19 x 3 cmplaster and pigment2025The work was modeled in 3D, printed on a printer and then made from a mold and cast in plaster.R$ 6.000
Lot 33
R$ 10.500
Fernanda Corsini
Plot Of The Night80 x 42 x 4 cmpastel oily chalk, dry tip and varnish on papersigned on backTrama da Noite (2025) is the result of research that the artist has developed for two years, in which she investigates the body as an extension of nature. The creation process starts from the preparation of the paper with an acrylic base, followed by the application of oil pastel layers, cuts with scalpels and incisions with a dry tip. The surface is finished with UV and antifungal protection varnish. The work proposes a meeting between the intimate and the cosmic, between what we recognize and what is yet to be born.R$ 10.500
Lot 34
R$ 7.000
Fernanda Galvão
Egg Inside Another Egg I59 x 75 cmlithogravure2025This lithogravure is edition 15 of a print run of 47 + 8 artist tests. Printed at the studio "Le Garage Litho" in Paris, France.R$ 7.000
Lot 35
Francesco João
Untitled25 x 20 cmpolished pink cedar2005R$ 7.560
Lot 36
R$ 5.000
Gabriel Botta
Little River30 x 40 cmoil paint and plaster on raw cotton.2023A landscape representing a cove, there is a kind of organic window that directs the look.R$ 5.000
Lot 37
R$ 2.450
Gabriel Furmiga
Cloud30 x 30 x 5 cmoil and oily stick on linen2026In "nest", drawing and painting are confused. On oil, oily stick and linen sometimes apparent, lines and smudges overlap in a sum of gestures. When drawing on the paint, I also retreat it, opening furrows and revealing anterior layers. The image is built in this movement between adding and subtracting, in which each gesture modifies what came before.R$ 2.450
Lot 38
R$ 9.450
Gabriel Pessoto
Recurring Reason33.5 x 125,5 x 23 cmnatural wool tapestry on metal support2024"Recurring reason" is a tapestry work (natural wool on talagarça) mounted on a metal support that projects the image at a specific angle, allowing the "heaven" represented in it to bow slightly to meet the point of view of the one who looks at it. The composition starts from a traditional cross-stitch embroidery pattern, expanded to a scale that dialogues with the spectator‘s body and field of vision, and refers to several archetypal representations of the sky, from textile motifs to video games to low-end electronic interfaces. resolution.R$ 9.450
Lot 39
R$ 25.900
Gabriella Garcia
Flag Flag172 x 125 cmoil on canvas, sewing and aluminum bar2026Bandeira Bandeira is a work of the new series of fragments of random paintings that Gabriella has been producing over the last two years and that are related to a kind of collage sewn together and suspended by an aluminum bar.R$ 25.900
Lot 40
R$ 5.000
Gi Monteiro
Temporal30 x 20 cmoil and beeswax on canvas2026The paintings are seeds, in the lexicon established by the artist. Made in oil and beeswax, they make the dark inside the earth an environment of life and germination, where matter remains in transformation.R$ 5.000
Lot 41
R$ 4.600
Helen Scheunemann
Heavenly35 x 28 cmoil and wax on cotton canvas2025Paint made in layers in which the paint is added and also removed. The color comes from blue and orange chromatic opposites, with the addition of white. The subject is derived from the studio itself, presenting the wall as a window. The painting refers, in a metalinguistic way, to the painting itself.R$ 4.600
Lot 42
R$ 22.000
Iran do Espirito Santo
Randolph Street 1 Project28 x 38 cmpastel and acrylic on paper1996Work carried out as a project for the individual exhibition of the artist that took place at Randolph Street Gallery in Chicago in 1996.R$ 22.000
Lot 43
R$ 4.000
Isabella Abreu
Thinking Well45 x 65 cmoil on cottonsigned on back2025The surface welcomes an image, unsustainable if not by itself. We built possible assessments in the common activity and invented narratives materialized in the immanence of language. When considering the dialogical power of the imagery proposition, tensed here as a poetic statement, we return to the discussions about the between place. The material concretization serves as an aid in full mutation in the construction of a also changeable narrative, as we can infer with each new reading about the same work. "Thinking well" reflects research in the current state but also its future paths.R$ 4.000
Lot 44
R$ 24.500
Janaina Wagner
When The Second Sun Arrives/a Comet In Your Eyes (from The Series Of Story-boards)30 x 40 cmengraved copper, oil paint and plastic paint2025When the second sun arrives/a comet in your eyes (from the series of storyboards) integrates Janaina Wagner‘s research around the trans-Amazonian highway BR-230, mega-project started in the 1970s that transformed ecosystems, ways of life and territories. In the work, the arrival of a second sun interrupts this temporality of devastation, disordering time and space. Engraved in copper, the image operates between storyboard and autonomous work. It was shown on the individual A Comet in Your Eyes, at the Sursock Museum, Lebanon.R$ 24.500
Lot 45
Current bid
R$ 3.500
João Balardin
That Wasn‘t The Plan30 x 40 cmoil on canvas2026"That was not the plan", part of an everyday scene and is built through unstable perspectives, cuts and fragmented presences. Tables, balconies and body parts organize the composition, while the void gains centrality. The scene remains in suspension, transforming a living space into an investigation into scale, perspective and absence.Current bid
R$ 3.500
Lot 46
José Damasceno
Re: Public30 x 38 cm cadaengravingsigned on back2017R$ 10.500
Lot 47
This poetic exercise takes place in the form of watercolor paintings and dilute acrylic paint that investigate the limit of things - the relationship between pigment and support, geometry and fluidity, inside and outside, opacity and transparency, control and the lack of it.
R$ 19.600
Julia Da Mota
Doubles116 x 58 x 5 cmacrylic on raw cotton canvas2021Training architect, Julia da Mota seeks, today, other ways to build in this world. Access internal spaces instead of designing buildings. When investigating the idea of landscape - this extension of territory that the gaze reaches in a move - the artist expands the meaning of what the view captures and translates the concept into an inner movement, an intimate construction.This poetic exercise takes place in the form of watercolor paintings and dilute acrylic paint that investigate the limit of things - the relationship between pigment and support, geometry and fluidity, inside and outside, opacity and transparency, control and the lack of it.
R$ 19.600
Lot 48
Current bid
R$ 15.000
Larissa De Souza
Intrusive Thoughts90 x 110 cmacrylic paint on canvassigned on back2025I like to bring the imagination into my paintings and also bring the thinking of my characters on screens, like a canvas inside the canvas.Current bid
R$ 15.000
Lot 49
R$ 4.900
Laura Teixeira
Untitled27 x 19 x 5 cmnail nail polish on styrofoam, plastered bandage and cold ceramicssigned on back2026The work presented is a relief painted with nail polish, in which chromatic relationships are as important as the reflective/iridescent properties of the material. The vertical axis underlines a false bilateral symmetry, such as that of the human body. It is a kind of "drawing" molded, on the scale of the hand, directly in the sculptural space.R$ 4.900
Lot 50
Lourival Cuquinha
Be20 x 20 cm3 cuban pesos coin with chê face cut into a starsigned on back2021R$ 2.100
Lot 51
R$ 3.500
Lu Saad
Ethereal Animals30 x 40 x 3 cmoil on canvassigned on back2025I‘ve always had an interest in seeing shapes turning into fabulous animals since my childhood. My favorite children‘s readings were fables with intelligent animals. Spots, clouds, drawings are transformed. When I launch my paintings on the canvas, the references of people, for example, become an equivalence of an imaginary animal, speaking either esoteric, sometimes sexual, fabulous. They seem to tell stories of a nature that I still can‘t identify very well yet. The expressions and not expressions, of the animals, are not previously chosen, they simply hatch from the drawing.R$ 3.500
Lot 52
R$ 3.150
Luara Macari
Suspended Piece I Of The Passover Series30 x 40 cmoil ink and clay printing on canvassigned on back2026In the work in question, "Pedaço Suspended I", clay performs the function of mediation between the paint and the surface of the fabric of the canvas. From the Passosuro series, the work manifests itself as a rite of passage; A poetic bet of alignment with the central axis of the work, which is found in the gesture of approaching the painting, engraving and ceramics. In this context, it begins with a procedure of applying oil to a piece of wet clay that follows a print/stamp on the blank canvas that results in both pictorial (painting order) and monotypic (engraving order) figures.R$ 3.150
Lot 53
R$ 5.600
Lucas Almeida
On This Road: Don‘t Come Back50 x 40 cmacrylic, colored pencils and collage on canvas2026An enigmatic profile merges with a fragmented landscape in geometric planes of pastel tones. The mixed technique, acrylic, colored pencils and collage, builds textures that oscillate between industrial and dreamlike. A ladder appears as an architectural memory inside the head, while a winding path crosses the composition, suggesting crossing and permanence. The title echoes as a warning: a threshold between departure and return, where identity and landscape are confused in a single image.R$ 5.600
Lot 54
Lucas Matoso
Metacoisas 3 (crossed Night), From The Multidirectional Cartography Series160 x 130 cmoil on canvas2023R$ 11.200
Lot 55
R$ 3.990
Luís Teixeira
So Far, So Close40 x 30 cmoil on canvas and wood2023A dark curve suggests an enlarged sphere, contained on the screen. Above it, a circle crosses the edge of the support, while a smaller sphere casts shadow on the wall. Differences in scale suggest depth planes and a displacement narrative. The composition makes suggestions for landscape and celestial bodies coexist with the concrete presence of objects.R$ 3.990
Lot 56
R$ 87.500
Marcela Cantuária
Marilene Villas-boas From The Matria Livre Series150 x 120 cmoil on canvassigned on back2024Marilene Villas-Boas (1948 - 1971), a psychology student and guerrilla, was part of the National Liberation Action (ALN) and, later, the Revolutionary Movement 8 October (MR-8), organizations of armed resistance Brazilian military dictatorship. In the composition, the moth takes the form of a witch, a nocturnal creature that transits between worlds and evokes mystery, transformation and resistance. Its wings welcome Marilene‘s face, merging body, spirit and metamorphosis. Surrounded by the deep blue, it returns as a transmuted force, breaking the historical silencing and reaffirming its presence in the collective memory.R$ 87.500
Lot 57
Current bid
R$ 2.800
Marina Cespe
Attempt60 x 80 cmoil on canvassigned on back2024In attempt, the representation of industrial gears makes up a structure that seeks to operate between the technical organization and the dysfunction. Oil painting displaces the image of the gears of its instrumental function, subjecting its forms to distortions that bring the machinery closer to an unstable anatomy. The work thus seeks to evoke a continuous attempt at operation, in which the promise of precision gives way to deviation and failure.Current bid
R$ 2.800
Lot 58
The work invites the observer to establish a personal relationship with painting, recognizing in it his own feelings and experiences.
R$ 18.200
Marina Ramires
Feeling (diptic)123 x 145 cmacrylic on canvas2024Feeling explores the subjective dimension of emotions through color, movement and abstraction. In different shades of blue, the composition creates depth and fluidity, evoking sensations that expand and transform through the surface of the screen. The organic forms and the contrasts between areas of greater intensity and transparency suggest an emotional state in constant movement, within themselves.The work invites the observer to establish a personal relationship with painting, recognizing in it his own feelings and experiences.
R$ 18.200
Lot 59
R$ 6.000
Martin Lanezan
Bottle With Lemons90 x 60 cmtextile2025The work resumes the theme of dead nature on beams sewn by hand following the random shapes of each patch.R$ 6.000
Lot 60
Current bid
R$ 3.500
Mavi Accorsi
Woodpecker Pollen40 x 40 cmoil, oily stick and pigment on canvas2026Woodpecker does not give pollen. But in this painting it might. In woodpecker pollen, the shapes appear during the making itself, without a previous drawing or a defined image. One color pulls another, a risk crosses a mass, one shape is covered until another appears. Oil, oily stick and loose pigment behave differently on the surface: they run, scratch, accumulate, turn into dust. Gradually things appear that resemble beaks, feathers, flowers, insects, pieces of garden. The title comes from the same game of associations, as if the painting had invented a species and, along with it, a substance that could only exist there.Current bid
R$ 3.500
Lot 61
The work integrates a continuous investigation by Nati Canto on material production in the field of art. His interest is not restricted to the formal possibilities of an existing matter, but moves to the very elaboration of a matter intended for artistic production. In this sense, making the material is not a stage prior to the work, but a constitutive part of its realization. In a pirate, matter is itself the result of an artistic decision.
R$ 8.400
Nati Canto
Pirate60 x 34 x 7cmbiopolymer of annatto, grape, açaí, black cocoa and green spirulina on wood2025In Pirate, Nati Canto produces the very material with which he builds the work. The formulation of the biopolymer is a fundamental part of its artistic making: different components are combined according to procedures developed by the artist, establishing a specific matter from which the form becomes possible.The work integrates a continuous investigation by Nati Canto on material production in the field of art. His interest is not restricted to the formal possibilities of an existing matter, but moves to the very elaboration of a matter intended for artistic production. In this sense, making the material is not a stage prior to the work, but a constitutive part of its realization. In a pirate, matter is itself the result of an artistic decision.
R$ 8.400
Lot 62
R$ 7.000
Nina Horikawa
All Things Remind Others50 x 50 x 5 cmacrylic and oil on canvas2024"All Things Remember Others" is a painting created in 2024, in the context of the artist‘s first individual. The work reflects his research around everyday life, where the details and minimal gestures are praised as a way to think about themes such as time, memory, presence and intimacy.R$ 7.000
Lot 63
R$ 4.000
Nuno Quinhões
Sundae60 x 80 x 6 cmoil and enamel on canvas2025Loneliness and support, games away and fear, the face denied and underlined by the material, the desire look of the erotic abyss.R$ 4.000
Lot 64
spirituality and ancestry relationships. It is about "games" of colors, tones, shapes and perspectives that dance to the look of others as rhythms analogous to the multiple open destinations along the existential journey.
R$ 9.200
Oto Ferreira
Untitled63 x 38 x 6 cmpolychrome wood and carbon2026The ancestry - assimilated in oil paintings - is like beings, shapeless landscapes that present themselves as abstract colors and shapes permeate the subconsciousness, moving the observer to other landscapes, existing in memories where it is deposited.spirituality and ancestry relationships. It is about "games" of colors, tones, shapes and perspectives that dance to the look of others as rhythms analogous to the multiple open destinations along the existential journey.
R$ 9.200
Lot 65
R$ 3.500
Pablo Vieira
Soft Power170 x 70 x 10 cmprinting on fabric2023Soft Power is an "comfort object" created from Dakimakura‘s crumblings stamped with characters from pop culture, sometimes sexualized (Love Pillows). The title of the work refers to the concept of international relations of influence through symbolic means, such as culture and entertainment. On the pillowcase, the artist appears in two images: uniformed as an exhibition assembler and in a sexualized pose, with heart glasses and crochet shorts. The approximation of the records proposes a reflection on work, desire, representation and consumption of images.R$ 3.500
Lot 66
Paulo Valeriano
Border15 x 20 cmoil on aluminum fixed in wood plywoodsigned on back2025R$ 4.000
Lot 67
It is a canvas that is born from its hot past and gains light and flow over time, in extremely organic and rhythmic brushstrokes.
It is the meeting of the tides, the ultimate movement that makes a flow touch the other. It is the impact, the strangeness and the delicacy of the body (and colors) that are distant in temperatures and close in nature. The diptych, by separating two parts of the same whole, shows such a meeting.
R$ 12.600
Poli Pieratti
The Land Of The Sea - Diptych60 x 40 cmdry pastel, liquid acrylic and watercolor on linen (with opaque pink cedar frame)signed on back2024"A Terra do Mar" is a screen that is part of the exhibition that carries the same name. It is therefore a symbol, too. It is a canvas that synthesizes and mimics the relationship that the artist has with water and the earth as material elements, forces and symbologies.It is a canvas that is born from its hot past and gains light and flow over time, in extremely organic and rhythmic brushstrokes.
It is the meeting of the tides, the ultimate movement that makes a flow touch the other. It is the impact, the strangeness and the delicacy of the body (and colors) that are distant in temperatures and close in nature. The diptych, by separating two parts of the same whole, shows such a meeting.
R$ 12.600
Lot 68
R$ 3.500
R. Trompaz
On The Way Up The Hill Is Different - Within The Context Of Ssge30 x 20 x 4 cmacrylic paint and acrylic varnish with dye on canvas2026everyday situations/everyday, recurring landscapes evidencing inequality, indifference on the part of the government, extreme weather events that mainly affect the poorest population in the richest city.R$ 3.500
Lot 69
R$ 3.850
Rafaela Foz
Geofactory No. 442 x 55 cmpaper and lacquered wood support2024Geology #4 is part of a series of six collages in which the artist explores the contrast between a so-called domesticated nature and a supposedly wild one, putting them in relation and crossing them by geometric shapes in black and white. The interest in the approximation of these images is born from the artist‘s readings and research around the Anthropocene, especially on the construction of the idea of nature as something separated from culture and on the insistence on perceiving ourselves separated from it. The work questions this division and thinks how the mistake of positioning ourselves as superior to nature sustains an exploitative relationship that threatens the very conditions of our existence.R$ 3.850
Lot 70
R$ 8.400
Renan Andrade
Md Boss40 x 40 cmoil on canvas2025That bright body in this war-filled neighborhood. I absorb the stray bullets and turn it into poetry. The meat car passes me by and doesn‘t take me. I follow my path on this dirty sidewalk, between the remains and garbage of other poets, carrying with me the light of each of them.R$ 8.400
Lot 71
R$ 9.800
Rodrigo Sassi
Untitled From The Series We35 x 25 x 10 cmmetal2026The sculpture is part of the Nós series, a set of works in which metal is explored from lines, twists and intertwinings that bring the sculpture closer to the drawing. The brutality of the material finds organic forms, creating a tension between rigidity and movement. In his practice, Rodrigo Sassi explores the limits of matter and the possibility of transforming it without erasing its resistances. The gesture builds, tensions and negotiates with what the material allows, giving rise to forms between force and delicacy.R$ 9.800
Lot 72
R$ 3.800
Roriz
Waters That Flow61 x 81 cmoil on canvassigned on back2024What sustains us can take different forms, and what we carry within us can also become a source. The heart ceases to be just a place of feelings and becomes a territory of flow, life and transformation. The water that is born from it represents what crosses us and keeps us alive: faith, affection, hope or the strength that we find within us to continue. An intimate flow, capable of filling voids, renewing and overflowing beyond us.R$ 3.800
Lot 73
R$ 9.800
Shai
Sap And Root26 x 21 x 22 cmlow temperature ceramics, varnish, gildingsigned on back2025Produced during his residency at Instituto Sacatar (2025), Siva e Raiz is a unique sculpture in hand-shaped terracotta clay, with low temperature burning and gilding intervention. In the work, the contrast of gold with clay traces a path that surrounds the body of the piece and overflows from the top. This flow symbolizes the vital sap and the strength of female ancestry, this matrix structure that generates, nourishes and sustains bodies and generations, just as the root sustains the tree and feeds its fruits.R$ 9.800
Lot 74
The works of the Wall Painting series started in 2013 underwent a kind of taxonomy on a dissection table. Once dissected, the worn sandpapers used in the renovation of my residence and my studio located in the same apartment in downtown São Paulo, which constitute these works, generated another series part, entitled Wall Painting [Retails], produced between 2020 and 2021, and with the skinned flaps of these leftover sandpapers. Now, between 2024 and 2025, I decided to produce larger, unprecedented paintings, formed by two parts and composed of 128 patches each.
In the case of the Wall Painting series [paintings] and [retails], the movement and the gesture mirror a portion of sandpaper, such as a portion of a farm that was cut from a piece to make a patchwork quilt, emphasizing a certain organic geometry of a patchwork skinned, for its rosy and reddish tones in "living meat".
In this window of reverse prospecting, in this averse archaeological niche, behold, these wall paintings built by a gesture whose addition occurs through the removal, by the rubbing of its abrasive surfaces against the plane of the wall, can also appear as wounds on the body. architectural.
Thiago Honório, March 2025.
R$ 33.600
Thiago Honório
Wall Painting54 x 44 cmworn sandpaper used to paint the walls of the residence of the artist‘s studio, in são paulo, during the period of the artistic residency; wood plywood; metal2013-2021Paintings Wall Paintings And RetailThe works of the Wall Painting series started in 2013 underwent a kind of taxonomy on a dissection table. Once dissected, the worn sandpapers used in the renovation of my residence and my studio located in the same apartment in downtown São Paulo, which constitute these works, generated another series part, entitled Wall Painting [Retails], produced between 2020 and 2021, and with the skinned flaps of these leftover sandpapers. Now, between 2024 and 2025, I decided to produce larger, unprecedented paintings, formed by two parts and composed of 128 patches each.
In the case of the Wall Painting series [paintings] and [retails], the movement and the gesture mirror a portion of sandpaper, such as a portion of a farm that was cut from a piece to make a patchwork quilt, emphasizing a certain organic geometry of a patchwork skinned, for its rosy and reddish tones in "living meat".
In this window of reverse prospecting, in this averse archaeological niche, behold, these wall paintings built by a gesture whose addition occurs through the removal, by the rubbing of its abrasive surfaces against the plane of the wall, can also appear as wounds on the body. architectural.
Thiago Honório, March 2025.
R$ 33.600
Lot 75
R$ 15.400
Thomaz Rosa
Timelaps30 × 20 cmoil and tape on canvas2021Work is part of a series of graphic inserts that resemble the doodle of notebooks where it is always contained in this series, and in this specific work, the reaction of movement and time is also given, based on a junction the representation of a sky.R$ 15.400
Lot 76
R$ 60.000
Tiago Carneiro Da Cunha
Tree And Rays73 x 120 cmoil on canvas2026Part of the recent production by Tiago Carneiro da Cunha, Tree and Rays articulates landscape, rest and threat in an enigmatic atmosphere. A reclining figure rests under a tree, while rays cross the sky, introducing a tension between the stillness of the body and the imminence of the catastrophe. The work brings leisure and vulnerability closer, making rest an ambiguous condition, suspended between pleasure, disappearance and absurdity.R$ 60.000
Lot 77
Atmospheric and lyrical work that investigates the limits between the mist and the light. Through translucent brushstrokes in shades of blue and white, the painting builds diffuse horizons that invite silent contemplation.
Abstract painting that depicts, in two-dimensional format, a sculpture by Alexander Calder. On a clear and subtly textured background, organic and geometric shapes in shades of yellow and pink are distributed gently, suggesting the lightness, movement and balance characteristic of the artist‘s three-dimensional mobiles.
R$ 6.500
Yasmin Guimaraes
Untitled30 x 24 cmoil on canvas and linen2016, 2018 e 2026Abstract geological character composition exploring dense textures and an earthy palette. The subtle intervention of turquoise spots punctuates the surface, creating a sensitive dialogue with materiality and landscape.Atmospheric and lyrical work that investigates the limits between the mist and the light. Through translucent brushstrokes in shades of blue and white, the painting builds diffuse horizons that invite silent contemplation.
Abstract painting that depicts, in two-dimensional format, a sculpture by Alexander Calder. On a clear and subtly textured background, organic and geometric shapes in shades of yellow and pink are distributed gently, suggesting the lightness, movement and balance characteristic of the artist‘s three-dimensional mobiles.
R$ 6.500
Lot 78
Atmospheric and lyrical work that investigates the limits between the mist and the light. Through translucent brushstrokes in shades of blue and white, the painting builds diffuse horizons that invite silent contemplation.
Abstract painting that depicts, in two-dimensional format, a sculpture by Alexander Calder. On a clear and subtly textured background, organic and geometric shapes in shades of yellow and pink are distributed gently, suggesting the lightness, movement and balance characteristic of the artist‘s three-dimensional mobiles.
R$ 4.550
Yasmin Guimaraes
Untitled24 x 30 cmoil on linensigned on back2018Abstract geological character composition exploring dense textures and an earthy palette. The subtle intervention of turquoise spots punctuates the surface, creating a sensitive dialogue with materiality and landscape.Atmospheric and lyrical work that investigates the limits between the mist and the light. Through translucent brushstrokes in shades of blue and white, the painting builds diffuse horizons that invite silent contemplation.
Abstract painting that depicts, in two-dimensional format, a sculpture by Alexander Calder. On a clear and subtly textured background, organic and geometric shapes in shades of yellow and pink are distributed gently, suggesting the lightness, movement and balance characteristic of the artist‘s three-dimensional mobiles.
R$ 4.550